Although the Avant-garde sometimes laid claim to this type of subject photographic work, shown - small set shot cross ways real view combined attention to set low-key subjects and not actors.

Photographing spaces and lighting effects that were banal enough to be almost invisible with a studied casualness of composition that seems to put images in the category of borderline status of practice. Combined these low – plane long shadow subjects with an approach that is skillfully employed in technique – the working crew in flares of light some produced by reflective surfaces and abrupt cropping.

The study examines the tradition of modernist street move set and important differences in use of all visual lighting even natural upon the set.(CCN传媒图片网 孟波)